Свердловско-екатеринбургская музыкально-поэтическая школа

Vitaliy Aleksandrovich Gavrikov

Аннотация


Песенная поэзия стала неотъемлемой частью русскоязычной художественной словесности. Преимущественно это работы филологов. На Западе интерес к песенной поэзии стимулировало присуждение Нобелевской премии по литературе Бобу Дилану. Автор статьи выделяет три парадигмы в развитии российской поэтической песенности: авторская («бардовская») песня, советский рок, Третья песенность (или Песенный постмодернизм). Свердловско-екатеринбургская поэтическая песенность рассматривается через призму первых двух парадигм, так как формирование третьей происходит в наши дни. В статье отмечается, что Свердловск-Екатеринбург является одним из крупнейших в стране центров поэтической песенности. Свердловские «барды», в первую очередь А. Дольский, внесли заметный вклад в развитие отечественной авторской («бардовской») песни. Свердловск имел солидное представительство на Первом всесоюзном фестивале (авторской) песни. Уже в 1960-е гг. местная песенно-поэтическая сцена была известна далеко за пределами Урала. С развитием рок-поэзии широкую известность приобрели авторы, представлявшие свердловский рок-клуб. Наибольшую популярность у исследователей получило творчество группы «Nautilus Pompilius» и ее поэтического лидера Ильи Кормильцева. Среди других свердловчан академического внимания были удостоены группы «Чайф» и «Агата Кристи», кроме того, в научной литературе есть упоминания о других членах местного рок-клуба, это: «Водопад имени Вахтанга Кикабидзе», «Настя», «Урфин Джюс», «Апрельский марш», «Отражение». Цель статьи — обобщить научный опыт изучения свердловско-екатеринбургской песенности и типологизировать ее направления, группы, персоналии. Это первая попытка рассмотреть поющих поэтов Свердловска-Екатеринбурга как обособленную региональную поэтическую школу.


Ключевые слова


Свердловск; Екатеринбург; песенная поэзия; авторская песня; советский рок; свердловский рок-клуб; Третья песенность.

Полный текст:

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Литература


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DOI: https://doi.org/10.15826/izv2.2018.20.1.004

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