Theoretical approaches to identifying creative industries
Abstract
Relevance. The relevance of the study is determined by the growing importance of creative industries in the global economy, which necessitates the formation of common approaches to identifying and defining creative industries to make effective management decisions at the state level. The lack of a unified approach to defining the conceptual and methodological apparatus necessitates additional research on this topic.
Purpose of the study. The purpose of this study is to conduct a comparative analysis of approaches to identifying creative industries that have developed in the international and domestic academic community.
Data and methods. The study is based on the Scoping review method, which consists of a full analysis of the existing literature in the context of key concepts of a given area of research. The international bibliographic database Scopus was used to select publications for the review. To consider the national specifics of research, the sample was expanded to include articles from the Russian Science Citation Index (RSCI).
Results. The article reviews and summarizes the existing scientific approaches to identifying creative industries, highlights the main debatable issues of terminology in the field of the creative economy. Based on a comprehensive review of the approaches of international and domestic researchers, the article presents a system of criteria for identifying creative industries, which are differentiated by types of sources, specifics, and results. The application of this system of criteria will allow us to determine the boundaries of creative industries and distinguish creative industries from the general array of economic sectors.
Conclusion. Systematization of theoretical approaches to defining and identifying creative industries is a necessary condition for their further classification and evaluation. The proposed system of criteria is a synthesis of existing approaches, which makes it universal and suggests the possibility of its practical application for solving a wide range of tasks related to managerial decision-making in the field of creative economy development.
Keywords
Full Text:
PDFReferences
Adorno, T.W. (2001). The Culture Industry Reconsidered. In: J.M. Bernstein (Ed.) Adorno: The Culture Industry: Selected essays on mass culture (pp. 98–106). Abingdon: Routledge.
Agustina, Y., Winarno, A., Pratikto, H., Narmadity, B.Sh., & Filianti, F. (2020). A Creative Economy Development Strategy: The Case of Trenggalek. Creative Network for Trenggalek Regency, Indonesia. Journal of Asian Finance, Economics and Business, 7(12), 1111–1122. https://doi.org/10.13106/jafeb.2020.vol7.no12.1111
Bakhshi, H., Cunningham, S., & Mateos-Garcia, J. (2013). Public Policy for the Creative Industries. In C. Jones, M. Lorenzen, J. Sapsed (Eds) Oxford Handbook of Creative Industries. Forthcoming.
Borseková, K., Vaňová, A., Šúrová, J., (...), Nevima, J., Martinát, S. (2021). The nexus between creative actors and regional development. Land, 10(3), 276. https://doi.org/10.3390/land10030276
Cattani, G., Ferriani, S., & Colucci, M. (2013). Creativity in Social Networks: A Core-periphery Perspective. In C. Jones, M. Lorenzen, J. Sapsed (Eds). Oxford Handbook of Creative Industries (pp. 75–95). Forthcoming. https://doi.org/10.1093/oxfordhb/9780199603510.013.008
Chapain, C., & Sagot-Duvauroux, D. (2021). Cultural and creative clusters – a systematic literature review and a renewed research agenda. Urban Research & Practice, 13(3), 300–329. https://doi.org/10.1080/17535069.2018.1545141
Correa-Quezada, R., Álvarez-García, J., Cruz del Río-Rama, M., & Maldonado-Erazo, C.P. (2018). Role of Creative Industries as a Regional Growth Factor. Sustainability, 10, 1649. https://doi.org/10.3390/su10051649
Cunningham, S. (2002). From cultural to creative industries, theory, industry and policy implications. Media International Australia incorporating Culture and Policy, 102(1), 19–32. https://doi.org/10.1177/1329878X0210200107
Cushing, R. (2001). Creative capital, diversity and urban growth. Texas, Austin: Unpublishedmanuscript, 2001. 89 р.
Dronyuk, I., Moiseienko, I., & Greguš, J.ml. (2019). Analysis of Creative Industries Activities in Europеan Union Countries. Procedia Computer Science Volume, 160(9), 479–484. https://doi.org/10.1016/j.procs.2019.11.061
Dunska, M., & Marcinkevica, A. (2017). Situation and Development Opportunities of Creative Industries Companies in Latvia. European Research Studies Journal, 20(3A), 96–114. https://doi.org/10.35808/ersj/698
Durey, M.J. (2021). Seeing Through Adorno’s Prism. Geographische Zeitschrift, 109(2-3), 126–143. https://doi.org/10.25162/gz-2021-0010
Eikhof, D.R., & Haunschild, A. (2007). For art’s sake! Artistic and economic logics in creative production. Journal of Organizational Behavior, 28(5), 523–538. https://doi.org/10.1002/job.462
Fill, C. (2009). Marketing Communications: Interactivity, Communities. Paperback Publisher.
Florida, R. (2002). The Rise of the Creative Class: And How It’s Transforming Work, Leisure, Community and Everyday Life. New York: BasicBooks.
Florida, R. (2004). Revenge of the Squelchers. The Next American City. Available at: http://www.americancity.org/article.php?id_article=39
Galloway, S., & Dunlop, S. (2007). A Critique of Definitions of the Cultural and Creative Industries in Public Policy. International Journal of Cultural Policy, 13(1), 17–31. https://doi.org/10.1080/10286630701201657
Gilson, L. (2013). Creativity in Teams: Processes and Outcomes in Creative Industries. In C. Jones, M. Lorenzen, J. Sapsed (Eds) Oxford Handbook of Creative Industries. Forthcoming. https://doi.org/10.1093/oxfordhb/9780199603510.013.009
Granger, R. C., & Hamilton, C. (2010). Re-spatializing the creative industries: a relational examination of underground scenes, and professional and organizational lock-in. Creative Industries Journal, 3(1), 47–60. https://doi.org/10.1386/cij.3.1.47_1
Granham, N. (2005). From cultural to creative industries: An analysis of the implications of the ‘creative industries’ approach to arts and media policy in the United Kingdom. International Journal of Cultural Policy, 11(1), 15–29. https://doi.org/10.1080/10286630500067606
Hesmondhalgh, D. (2008). Cultural and Creative Industries. The SAGE Handbook of Cultural Analysis, Book chapter, pp. 552–569. https://doi.org/10.4135/9781848608443.n27
Hesmondhalgh, D., & Pratt, A.C. (2005). Cultural industries and cultural policy. International Journal of Cultural Policy, 11(1), 1–13. https://doi.org/10.1080/10286630500067598
Hesmondhalgh, D. (2013). The Cultural Industries. 3rd Edition, London: SAGE.
Hirsch, P.M. (2018). Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems. Book chapter. The Sociology of Economic Life, 3rd Edition, pp/ 340–356.
Howkins, J. (2002). Speech to the Inception Session, The Mayor’s Commission on the Creative Industries, London, Available at: http://www.creativelondon.org.uk/upload/pdf/JohnHowkinstalk.pdf
Howkins, J. (2001). The creative economy: How people make money from ideas. London: Penguin.
Hui, D. (2007). The creative industries and entrepreneurship in East and Souteast Asia. Enterpreuneship in the Creative Industries. An International Perspective. Cheltenham: Edward Elgar Publishing Limited, pp. 9–29.
Kaufman, J.C., & Sternberg, R.J. (2013). The Creative Mind. . In C. Jones, M. Lorenzen, J. Sapsed, (Eds), Oxford Handbook of Creative Industries. Forthcoming. https://doi.org/10.1093/oxfordhb/9780199603510.013.022
Khestanov, R. (2018). Creative industries – Models of development. Russian Sociological Review, 17(3), 173–196. https://doi.org/10.17323/1728-192X-2018-3-173-196
Lampel, J., Lant, T., & Shamsie J. (2000). Balancing Act: Learning from Organizing Practices in Cultural Industries. Organization Science, 11, 263–269. https://doi.org/10.1287/orsc.11.3.263.12503
Lei, Y. (2021). The Role of Cultural Creative Industries on the Revitalization of Resource-exhausted Cities – the Case of Tongling. Journal of Urban Culture Research, 23, 3–24. https://doi.org/10.14456/jucr.2021.17
Liang, S., & Wang, Q.(2020).Cultural and Creative Industries and Urban (Re)Development in China. Journal of Planning Literature, 35(1), 54–70. https://doi.org/10.1177/0885412219898290
Lorenzen, M., & Andersen, K.V. (2009). Centrality and Creativity: Does Richard Florida’s Creative Class Offer New Insights Into Urban Hierarchy? Economic Geography, 85(4), 363–390.
Maddah, L., Arauzo-Carod, J.-M., & López, F.A.(2021). Detection of geographical clustering: cultural and creative industries in Barcelona. European Planning Studies. https://doi.org/10.1080/09654313.2021.2020218
Marco-Serrano, F.; Rausell-Koster, P., & Abeledo-Sanchis, R. (2014). Economic development and the creative industries: A tale of causality. Creative Industries Journal, 7, 81–91; https://doi.org/10.1080/17510694.2014.958383
Martinaitytė, E., & Kregždaitė, R. (2015). The factors of creative industries development in nowadays stage. Economics and Sociology, 8(1), 56–71. https://doi.org/10.14254/2071- 789X.2015/8-1/5
Matheson, B. (2006). A Culture of creativity: design education and the creative industries. Journal of Management Development, 25(1), 55–64. https://doi.org/10.1108/02621710610637963
Müller, K., Rammer, C., & Trüby, J. (2008). The role of Creative Industries in industrial innovation. Innovation: Management, Policy and Practice, 11(2), 148–168. https://doi.org/10.5172/impp.11.2.148
Munn, Z., Peters, M.D., Stern, C., Tufanaru, C., McArthur, A., & Aromataris, E. (2018). Systematic review or scoping review? Guidance for authors when choosing between a systematic or scoping review approach. BMC medical research methodology, 18(1), 1–7.
Pererva, I. (2021). Substantiating the Creative Industry Criteria. Business Inform, 1(516), 27–33. https://doi.org/10.32983/2222-4459-2021-1-27-33
Potts, J. (2009). Why creative industries matter to economic evolution. Economics of Innovation and New Technology, 18(7-8), 663–673. https://doi.org/10.1080/10438590802564592
Potts, J., & Cunningham, S. (2008). Four models of the creative industries. International Journal of Cultural Policy, 14(3), 233–247. https://doi.org/10.1080/10286630802281780
Snowball, J. (2016). Why Art and Culture Contribute more to an Economy than Growth and Jobs. Availavle at: http://theconversation.com/why-art-and-culture-contribute-more-to-an-economythan-growthand-jobs-52224
Stam, E.; De Jong, J.P., & Marlet, G. (2008). Creative Industries in The Netherlands: Structure, depelopment, innovativeness and effects on urban growth. Geografiska Annaler Series B Human Geography, 90(2), 119–132. https://doi.org/10.1111/j.1468-0467.2008.00282.x
Sternberg, R.J. (2006). The Nature of Creativity. Creativity Research Journal, 18(1), 87–98. https://doi.org/10.1207/s15326934crj1801_10 (Retraction published 2020, Creativity Research Journal, 32[2], 200)
Tajtáková, M., & Olejárová, M. (2021). Creative cities and knowledge management approach to culture-based urban regeneration in Slovakia: A model. Communications – Scientific Letters of the University of Žilina, 23(4), 25–37. https://doi.org/10.26552/com.C.2021.4.G25-G37
Throsby, D. (2001). Economics and culture. Cambridge: Cambridge University Press. 228 p.
Amosova, A.I. (2022). Creative economy and its significance. Business Education in the Knowledge Economy, 2(22), 4–7.
Baryshnikov, A.V., & Trepolskaya, D.S. (2021). Educational potential in the creative industries. Economics and Management: Problems, Solutions, 4(10), 51–62. https://doi.org/10.36871/ek.up-.p.r.2021.10.04.008
Berezhnaya, M.S. (2008). Development of tolerant consciousness of the individual in the socio-cultural space of education and art. Philosophical Sciences, 4, 58–68.
Bukata, D.F., & Sidornya, A.A. (2018). Theoretical approaches to the study of trends and prospects for the development of creative industries. Don’s Young Researcher, 2(11), 155–161.
Weinmeister, A.V., & Ivanova, Yu.V. (2017). “Cultural industries” and “creative industries”: the boundaries of concepts. International Journal of Cultural Studies, 1(26), 38–48
Gambeeva, Yu.N., & Smey, V.M. (2021). The role of creative industries in the socio-economic development of the territory. Bulletin of Chelyabinsk State University, 6(452), 89–96. https://doi.org/10.47475/1994-2796-2021-10610
Gorbovskaya, L.S. (2020). Creative Industries in the New Reality of the Global Economy. Student, 2-3(88), 53–55.
Gushchina, E.G., & Tarabanova, E.V. (2022). Creative industries: new opportunities for the development of Russian cities and regions. Bulletin of the Volgograd State University. Economy, 24(1), 91–104. https://doi.org/10.15688/ek.jvolsu.2022.1.9
Danilchenko, A.V., & Kharitonovich, S.A. (2019). Knowledge economy in the context of post-industrial development of the Republic of Belarus. Science and Technology News, 1(48), 8–15.
Demidov, A.A., & Komarova, I.I. (2014). Creative clusters for St. Petersburg. Modern Productive Forces, 4, 124–159.
Zaikin, N.N. (2022). Analysis of exports of products of creative and cultural industries in Russia. Creativity and Modernity, 2(17), 75–82. https://doi.org/10.37909/2542-1352-2022-2-2012
Zuev, S.E. (2010). Cultural industries in the context of globalization. Management consulting. Current Issues of State and Municipal Management, 1(37), 76–89.
Kaverina, N.A., Gretchenko, A.I., & Gretchenko, A.A. (2019). Modern development of creative industries in Russia (experience of the capital and regions). Bulletin of the Saratov State Socio-Economic University, 1(75), 58–64.
Kazakova, M.V. (2020). Cultural and creative industries: the boundaries of concepts. Creative Economy, 14(11), 2875–2898. https://doi.org/10.18334/ce.14.11.111156
Kamalov, A.V. (2021). Trends and problems in the development of the entertainment industry in Russia. The Scientific Heritage, 58-4(58), 25–26. https://doi.org/10.24412/9215-0365-2021-58-4-25-26
Kovaleva, E.N. (2022). Creative sector of the Moscow economy: trends and directions of development. Bulletin of the Russian State University for the Humanities. Series: Economy. Management. Law, 1, 67–81. https://doi.org/10.28995/2073-6304-2022-1-67-81
Kolodnyaya, G.V. (2022). The Experience Economy: Development Potential in the Information Society. Economy. Taxes. Law, 15(2), 17–24. https://doi.org/10.26794/1999-849X-2022-15-2-17-24
Kuznetsova, N.V. (2022). The new paradigm of modernity is the creative economy. Asia-Pacific Region: Economics, Politics, Law, 24(1), 15–37. https://doi.org/10.24866/1813-3274/2022-1/15-37
Lavrinenko, A.S. (2015). Topical issues of state regulation of creative industries. Issues of State and Municipal Management, 4, 135–159.
Matsko, V.A. (2021). Interdisciplinary synthesis in the study of creative industries. Bulletin of the St. Petersburg State Institute of Culture, 4(49), 80–85. https://doi.org/10.30725/2619-0303-2021-4-80-85
Matsko, V.A. (2022). Creativity in the system of leisure concepts. Bulletin of the St. Petersburg State Institute of Culture, 1(50), 118–123. https://doi.org/10.30725/2619-0303-2022-1-118-123
Melnikov, O.N. (2007). The intellectual potential of the creative economy. Creative Economy, 5(5), 37–45. https://doi.org/10.18334/ce.1.5.3566
Molchanov, I.N. (2022). Creative Industries: Mechanisms for Human Development. Economy. Taxes. Law, 15(2), 52–62. https://doi.org/10.26794/1999-849X-2022-15-2-52-62
Miege, B. (2018). Creative industries: in search of concept stability. Communications. Media. Design, 3(4), 22–37.
Ovtsinova, V.D. (2018). Knowledge economy: concept, origin, prospects for development in Russia. Science Alley, 5(4), 493–500.
Romanets, I.I., & Danilidi, K.G. (2022). The development of a creative economy in the agenda of sustainable growth. Economics: Yesterday, Today, Tomorrow, 12(4А), 453–464. https://doi.org/10.34670/AR.2022.22.21.010
Romanov, D.M. (2017). Classification of creative industries in the Russian economy. RISC: Resources, Information, Supply, Competition, 3, 137–140.
Savina, M.V. (2008). The role of human capital in the formation of a creative economy. Fundamental and Applied Research of the Cooperative Sector of the Economy, 4, 32–36.
Florida, R. (2016). Creative class: people who change the future. Moscow: Mann, Ivanov and Ferber. 384 p.
Shcherbakova, E.V. (2015). Museum activity in the context of cultural practices: the experience of the city of Moscow and the regions. In the World of Science and Art: Issues of Philology, Art Criticism and Cultural Studies, 49, 9–16.
Shchurina, S.V. (2022). The experience economy as a way to respond to the challenges of the modern world. Economy. Taxes. Law, 15(2), 25–37. https://doi.org/10.26794/1999-849X-2022-15-2-25-37
DOI: https://doi.org/10.15826/recon.2022.8.4.024
Copyright (c) 2022 Irina D. Turgel, Valentina V. Derbeneva, Irina V. Baskakova, Kristina V. Chukavina
Сertificate of registration media Эл № ФС77-80764 от 28.04.2021
Online ISSN 2412-0731